How emerging technologies can expand the possibilities of text beyond static formats, making typography more interactive, immersive, and multi-sensory.
- How can text be multi-sensory?
- How does reading interact with language and culture?
- Can storytelling exist beyond linguistic barriers?
New line of enquiry:
How do I use GCD to preserve songs and dance, a medium that is oral and led by movement?
How can I use GCD to create reading spaces that encourages communal engagement?
stories through dance and singing?
how do you publish something intangible as dance and singing
how can you make reading a community activity?
REFERENCES :
- Eva Weinmayr – ‘One Publishes to Find Comrades’ A Visual Event: An Education in Appearances
- Bell Hooks – Belonging: a Culture of Place.
- https://www.youtube.com/watch?v=2-0aHMyh8CI – dream log
- The Queer Arab Glossary
- Sona Gahi Pinjra – Bijju Toppo
- Prisencolinensinainciusol -Song by Adriano Celentan
———— PROJECTION_2
How can I use GCD to talk about hidden inner social discourse by representing or talking about something like dance and songs
How can graphic communication design create “space” for revival of a culture which in turn perpetuates the preservation of it.
akhra used to be a gathering space which also a way to transfer knowledge among generations.
will recreating it in a virtual space keep it alive even though we’re not in the same space?
social engagement – to learn – destress – create a sense of belonging – awareness – archival
tangible and intangible
comparison of the mediums of documenting
VR
Print/Book
One ——— mimics the culture, could be ever evolving, encourages social interactions, can be living medium
The other ———— could be an archive, a glossary, a record of the past, a reference
^ two ways of reading the same thing